Ennio Morricone wrote a few lines in his own hand, which Cotellessa is a typical product of Abruzzo, strong, kind and stubborn. The same appeal comes from Enrico Manera, leading exponent of pop art Italian, which recalls the ancient friendship and proactive, not perhaps ever won in the name of the expression of his truest self.
The great author of music we can also provide an excellent figurative interpretation, proving better than many art critics, both in style and in its ability to capture the intent of the work, when the attributes reflecting the abstraction and subtlety deeper sense of our Self. If
Manera captures its ability to act as a "battering ram" to head down that breaks through the walls of a conceptual static and repetitive, the critic Ginesi be given credit for shrewdly grasped the difference between moments of introspection and abstraction more intensely with vitality.
E 'to Morricone, however, to be the most heartfelt tribute to Cotellessa: many of his paintings are inspired by the famous soundtracks that have supported the work of important directors in film history. As a system of communicating vessels, the film inspired by the music and music inspired by painting, and merge movements, sounds and images as if they were one.
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